![]() BOFFOInstagram has decisively shifted social media sharing practices toward the visual. Favoring images and short videos over text and hyperlinks, the network’s 1. This sprawling circulation of images is largely organized around the expression of pleasure, averaging 1. Considering the relative speed with which users scroll through their feeds, perhaps Warhol’s famous quip was an underestimate: if everyone’s “1. Search the world's information, including webpages, images, videos and more. Google has many special features to help you find exactly what you're looking for. Lo revolucionario será cuando todos se pongan a trabajar en un protocolo via wifi y traspasar los “escritorios” del smartphone, tablet o portatil a la Tv sin. BibMe Free Bibliography & Citation Maker - MLA, APA, Chicago, Harvard. UAB is an internationally renowned research university and academic medical center known for its innovative and interdisciplinary approach to education. Get the latest music news, watch video clips from music shows, events, and exclusive performances from your favorite artists. Discover new music on MTV. Yesterday, the Los Angeles Times reported on a 6.8 earthquake that struck Santa Barbara at 4:51pm. Which might be surprising to the people of Santa Barbara who didn. ![]() Please note that once you make your selection, it will apply to all future visits to NASDAQ.com. If, at any time, you are interested in reverting to our default. Over a period of five weeks, participating artists will release commissioned “social media art” on Instagram. A different artist will debut each week, taking over BOFFO’s. Instagram account for 5 days. What they do with the account, if anything, is up to each artist. But this space is not uncontested. Facebook’s 2. 01. Instagram yielded questions about the end use of user- created content. Despite, or in some cases because of this implication of user production in a nexus of data collection, participating artists are using Instagram to inventive ends: to disrupt otherwise seamless flows of images, to highlight dissonances of everyday life and its distorted representations, to explore the fraught tendency of digital self- archiving, or to otherwise promote a critical politics. The launch of these commissioned artistic projects on Instagram is intended to challenge users to engage with critical art amidst the rest of their feeds, and to challenge infrequent or non- users of social media to “sign on” and consider the possibilities of an art that is native to this platform. It's a message. You're trying to send a message. Instagram relies primarily on the image to communicate ideas, and these images function as interpersonal communicative gestures and networked media entities. A 2. 01. 1 cover story in ARTnews, “The Social Revolution,” helped spark new and engaging conversations about how artists can use social media effectively as a platform for expression. ![]() Continuing in this tradition, . Social media art practice often awakens and engenders the communal, communicative space of internet culture and idiosyncratic forms of expression that emerge in this space. From Ai Weiwei to Ryan Trecartin, artists from around the world have explored this space through radically divergent approaches and within a contested understanding of how this the space of social media relates to social life in general. Coined by theorist Richard Dawkins, a meme is a cultural unit that spreads from person to person much like a gene. ![]() ![]() Store & share your files with uploaded.net Learn more about our services (video). RMIT University acknowledges the Wurundjeri people of the Kulin Nations as the Traditional Owners of the land on which the University stands. The University. Event Tickets: www.boffo. The Narcissists Ball is the annual BOFFO Spring Benefit. The original concept and title of the event was based on an. ![]() In the context of the internet, this generally means a unit of media such as a video, hashtag or image, regularly transferred between users, transformed, and remixed. This ongoing transformation distinguishes memes from viral media. Memes do not simply spread on the web: they shift and change over time. Memes can have a powerful impact as art objects and tools for advocacy in a variety of contexts. In this case, the internet becomes the mural/backdrop against which a meme is seen and understood. The PEN Center recently began #With. ![]() ![]() Flowers in support of Weiwei’s freedom to travel, a response to the artist’s own use of Instagram to post images of flowers in protest of his house arrest. Despite various national censorship protocols, the rich creative possibility of memes has enabled them to propagate, reflecting the artistic potential of common netizens to galvanize around social issues. On the flip side, researcher Katy Pearce has examined propaganda memes generated by the Azerbaijani government as a method of influencing and shaping public opinion in the country. According to the Oxford Dictionary, the decision was unanimous: the 2. Self- representation through social media is somewhat of a recent phenomenon. Although the term’s earliest use was cited in 2. Instagram—the selfie has become a term invested with worldwide currency. Cindy Sherman, an artist whose work is exhibited worldwide and was shown in an eponymous retrospective at the Museum of Modern Art in New York in 2. As the artist explained in The New York Times in the early 1. I feel I’m anonymous in my work. When I look at the pictures, I never see myself; they aren’t self- portraits. Sometimes I disappear.” Contemporary artist K8 Hardy, whose early work of costumed self- portraiture brought her much attention, was recently quoted in Art in America saying: “The whole selfie phenomenon . I’m a poser, but now even kids surpass me in this regard.”. In the context of social media, the “selfie” is ultimately something of a misnomer, implying that the action is conducted in isolation. It is perhaps more useful to consider the selfie—in its broad socio- technological ecology and within the expanded field of images—as a communicative act intended to convey emotion, share an idea, tell a story or even inspire others to a particular form of action or engagement. In Nigeria, the Gunman Pose became one of the first globally- recognized Instagram memes in Sub- Saharan Africa. The meme emerged in response to rapper Olamide’s album cover, which depicted the artist posing with arms outstretched and fingers pointed like guns. After the tragic shooting of Trayvon Martin, a young African- American man in south Florida, citizens came together to advocate for awareness about the circumstances of his death by taking pictures of themselves wearing hoodies, as a show of support. Similarly, citizens in China donned sunglasses and uploaded the photos to social media as a way to evade censorship and speak out about Chen Guangcheng, a blind activist lawyer. Similarly, Hyperallergic writer Alicia Eler has gathered and curated selfies that challenge binary gender norms. Much more than acts of self portraiture, these selfie phenomenons instigated communities and advocacy groups to form on momentous scales. In its early iterations, these conversations also looped in interesting strangers encountered on the streets of New York. Since its beginning, the magazine has always sought to share these conversations with a large public. For many years Warhol distributed the magazine freely to his friends. With a current monthly print distribution of over 2. Instagram followers, and an increasingly important online presence, it seems only fitting that Interview is the media partner for this series. The digital- linguistic convention of the hashtag, which emerged in some of the earliest versions of internet chat, entails simply marking a topic with a pound or hash sign (#), as a way of organizing conversations around a topic. Although popularized by Twitter, the hashtag was not an original feature of the service. It was in fact developed by Twitter users, and the convention continues today as a way to register conversations and images on a global discursive plane. As the organizer of the hashtag noted, “People getting to relate to each other and see each other coming to these topics in an honest, personal way is much more eye- opening than . The dark humor of this hashtag gave the piece a viral but deeply unsettling quality that resonated with a wide range of participants and viewers. As The Guardian wrote of Hill’s project, its timely ingenuity lies in “its combination of delightful eccentricity and public- service practicality.”. PERFORMANCE ARTISTS ON SOCIAL MEDIA. While internet- based art has traditionally experimented with and tested the boundaries of digital space, social media art today operates amidst a proliferation of mobile devices. As such, physical and digital spaces are increasingly in dialogue with each other, their boundaries increasingly blurred. Thinking about these spaces as inherently separate constitutes an unnecessary divide—one that social technology theorists like Nathan Jurgenson have called “digital dualism.”. Performance artists working in social media have created performative actions in physical spaces that are transformed by their co- existence in digital space. Digital space creates special affordances for physical acts that extend beyond the bounds of geo- temporal environments, particularly in encouraging and emphasizing co- creative actions for the works themselves. Recently, Turkish performance artist Erdem G. With increased police brutality against citizens assembling in the park, G. Other examples of this include Man Bartlett’s 2. Port, which involved the artist tweeting and communicating online for 2. Port Authority Terminal in Manhattan. Part of a series commissioned by Creative Time, Creative Time Tweets, 2. Port created a layered field of social media interactions while Bartlett enacted the piece in the physical, public, often rather isolating space of transit beneath the city. Lauren Mc. Carthy’s commission for the Brooklyn Museum’s 1stfans Twitter Art Feed involved her tweeting directly from her shower with a special waterproof device. Enacted periodically over the course of a month, her piece tested the boundaries of performance art through the vast affordances of digital expression, as she transformed the typically solitary thoughts that might occupy the mind while showering into public communiques. When Weiwei released an iteration of Gangnam Style, he titled it “Grass Mud Horse Style”, a reference to a popular internet meme in China that helps netizens express dissent in spite of internet censorship. London- based artist Anish Kapoor, inspired by Weiwei’s work, created a response online that aggregated performances from a wide variety of museums around the world. The Weiwei- Kapoor dialogue is a compelling example: a Korean pop star’s video, amplified by Western musicians, inspired a Chinese artist- activist to make a video referencing Chinese internet culture, which then instigated videos of amplification and support from a British artist and a host of museums across the globe. These are not discrete works, but a chain of responses; not a single artist, but many. This essay on social media art was written by BOFFO and The Civic Beat.
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November 2017
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